GLIMPSES
 

Dunlevie’s digital works represent a dramatic shift in her approach. Instead of using real scissors and paste, she has digitally collaged these images in Photoshop. Working with pre-existing stencil shapes from the software program, Dunlevie has layered disparate images to create each of these pieces. Through the stenciled shapes that pierce the dominant image, the viewer catches glimpses of the images beneath. However, Dunlevie does not provide us with enough information to determine what those might be. In these mysterious works, her deception is fully realized. These seamlessly grafted compositions, which seem to capture parallel universes, most perfectly distort the notion of space and time.

Cathy Kimball, former Executive Director, San Jose Institute of Contemporary Art

 

Graffiti
Graffiti

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Eden
Eden

archival pigment print, dimensions variable

Autumnal
Autumnal

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That A Way
That A Way

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Chinese New Year
Chinese New Year

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Aviation
Aviation

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Big Ben
Big Ben

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Bored
Bored

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Bedouin
Bedouin

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Electrified
Electrified

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Fauna
Fauna

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Departed
Departed

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Harvest
Harvest

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Home
Home

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Bull's Eye
Bull's Eye

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Kensington Church Street
Kensington Church Street

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Research
Research

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Garden
Garden

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Refining
Refining

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Imperialist
Imperialist

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Property
Property

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Wetlands
Wetlands

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Reforestation
Reforestation

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Food Chain
Food Chain

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Set Design
Set Design

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Migration
Migration

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Spring Fever
Spring Fever

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The Royal B
The Royal B

archival pigment print, dimensions variable

KATHRYN  DUNLEVIE                                                                                     PHOTO-COLLAGE

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